Toussaint stayed with Dre for seven years and agreed to follow him by switching labels from Ruthless to Death Row. Toussaint began dating her labelmate Dre in ’89, the year her self-titled album went double-platinum on Ruthless Records. R&b singer Michel’le Toussaint, the squeaky-voiced singer of the 1989 hit “No More Lies,” is name-checked once in the film, glossing over her importance in Dre’s life. Dre’s rhyme of “Used to be my homie, used to be my ace” is met with this from Eazy: “And now you think you’re bigger/But to me you ain’t nothing but a bitch-ass n-.” The skits featuring Sleazy-E provide a basic narrative for each video likewise, each rapper seems genuinely hurt by the actions of the other. It’s not just the standard-def, sun-soaked shots of either rapper, backed by a few hundred supporters/people there to party. The two videos seem even more similar now, 22 years later. 8 on the Hot 100, while Eazy-E’s song only hit No. “Dre Day” was the song that won the chart match-up: It peaked at No. Dre’s “Dre Day,” featuring Snoop Dogg, was released in May of ’93, and features the premiere of “Sleazy-E,” a caricature of Eazy-E, who fumbles through life post-N.W.A, looking for new rappers for his label, “Useless Records.” Eazy-E responded in August with the video for “Real Muthaphuckkin G’s,” which referenced “Dre Day” in a bizarre way: Eazy-E and his crew run down and apparently kill the “Sleazy-E” caricature - he’s seen face-down along the freeway at the end.
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However, the ten-year-old home was purchased new in 2005 - at the time of Eazy-E’s death, it wasn’t even built.ĭr. His widow Tomica Wright did lose her 6,700-square-foot Calabasas mansion in 2012 when she could no longer afford the mortgage payments. There are no news reports of Eazy-E’s house going through foreclosure before his death. Pollack went on to work with Eazy-E for several years before his death and insists that the rapper died with approximately $30 million in the bank. Fiction, according to Phyllis Pollack, the publicist for the Straight Outta Compton album. In the film, Eazy-E loses his house as karmic payback for trusting Jerry Heller instead of going independent like Dr.
#Eze boyz n the hood movie#
Eazy-E at first argues with the doctor that he couldn’t possibly test positive, as he’s no “fag.” The doctor assures him he has, but the movie still presents HIV as a random and out-of-nowhere stroke of bad luck. Even after Eazy-E’s diagnosis, Straight Outta Compton has nothing to say on the topic. This is in keeping with the movie’s vagueness about the consequences of unprotected sex. When he died of AIDS in April 1995, Wright reportedly had seven children from six women. Straight Outta Compton is careful to suggest that the members of N.W.A had mostly reconciled by the time of Eazy-E’s diagnosis, much less his death. Only Antoine Carraby, a/k/a DJ Yella, reportedly attended, and was a pallbearer for Wright’s casket. No One Went to Eazy’s Funeral Except YellaĮric Wright’s headstone at Rose Hill cemetery is hard to find, but during his funeral so were members of N.W.A. And thus, rap legends - true and false - were made.Ĩ.
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As part of his repayment, Dre produced, along with DJ Yella, “Boyz-n-the-Hood,” Eazy-E’s debut single. At least the next scene of Straight Outta Compton is true enough: Eazy-E bailed Dre out of jail and the two agreed Dre would produce tracks for Eazy-E to work off what he owed him. Finally, Williams refused to help Dre come up with another $900. This happened often enough that Dre was already in debt to Dooto owner Lonzo Williams, who typically helped Dre pay bail. In reality, Dre was arrested for thousands of dollars in unpaid parking tickets for his Mazda RX7.
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Dre is arrested in the parking lot of the Dooto’s for defending his younger brother Tyree. Here’s a rundown of nine big things the movie leaves out:Īt the beginning of the film, Dr. Hang on to your Raiders caps, kids of 2070.” That didn’t stop audiences from flocking to the movie on its opening weekend, as it made $56.1 million at the box office. The true tale of N.W.A won’t be told on film until all of its members are in the grave. In our review, Amy Nicholson writes that there’s much more to the group’s story: “It’s as if the story of these real-life legends was so unruly and dangerous that the filmmakers became the cops, forcing it into submission. Gary Gray during an audience Q&A after a recent screening of Straight Outta Compton, the long-awaited N.W.A movie. “You could make five different N.W.A movies. Where are they walking? Photo by Jaimie Trueblood